Cristóbal Gracia

Mexico City, 1987

Bio

Cristóbal Gracia reconfigures historical milestones as well as social and cultural phenomena through research, appropriation, and the reconstruction of official chronicles and urban myths drawn from different parts of the world. His interest lies in dismantling the ideological and power systems that govern and have shaped the conception of contemporary Western civilization. Through tools such as humor, fiction, violence, desire, and failure, his work seeks to construct baroque systems of disbelief and estrangement, creating the spaces and means of production necessary to cultivate diverse subjectivities.

In his working process involves various creative agents; each context of participation, collaboration, and production confers a unique specificity to every project. Gracia tends to explore the tensions that art can generate when engaging with the dichotomies and contradictions inherent to different fields of knowledge; within this dialectical process lies the opportunity to reconfigure life.

Lives and works in Mexico City.

Gracia holds a MFA in Sculpture by the Yale School of Art, class of 2020 - 2022. Also, an BFA from the E.N.P.E.G Esmeralda, where he graduated Magna Cum Laude and later he attended to the Programa Educativo SOMA, both in Mexico City. He has been awarded with grants such as the BBVA-MACG Arte Actual and Jóvenes Creadores FONCA in the field of alternative media. He obtained the Fullbright García Robles scholarship and the Fundación Jumex Contemporary Art scholarship for studies abroad. ‍ His work has been exhibited in prominent institutions such as Black Cube Headquarters, Palais de Tokyo, Lille 3000 Eldorado, Galveston Artist Residency Gallery, Dallas Contemporary, and Hamburger Bahnhof Museum, Museo Tamayo, Museo Universitario del Chopo, Museo de Arte Carrillo Gil, Casa del Lago, and ESPAC, among others. In recent years, his pieces have been included in public and private collections such as the MUAC collection, Seattle Art Museum, Fundación M Collection, Colección Suro, Murderme Collection, Yuyito, JK Brown and Eric Diefenbach Collection, and the Museo Comunitario y Club de Lectura Sierra Hermosa.

He has participated in numerous artist residencies, including Bikini Art Residency (Lake Como), Viafarini (Milan), Biennial of the Americas (Denver), Grand Union (Birmingham), Casa Wabi (Puerto Escondido), Casa Nano (Japan), The Art House (Wakefield), Lugar Común (Monterrey), the Henry Moore Foundation (United Kingdom), and NARS Foundation (New York).

In 2015, he was selected as an ambassador artist for the Biennial of the Americas in Denver. He was a member of Biquini Wax EPS until 2020.

Exhibitions at Pequod

Selected works

Cristóbal Gracia

Perla barroca cultivada, “La Absoluta” / Baroque cultured pearl, “Assoluta”

Brass, iron, plaster and mixed media

86.61 x 33.47 x 25.6 in

2025

Cristóbal Gracia

El polvo es nácar. Panel 2

Poplar wood, inlaid abalone shell and mother of pearl, pulverized sheep bone charcoal, resin and plaster. Mother-of-pearl and abalone shell inlay made by taller Orígenes.

51.18 x 33.47 x 2.36 in

2025

Cristóbal Gracia

El polvo es nácar. Panel 3 y 4

Poplar wood, inlaid abalone shell and mother of pearl, pulverized sheep bone charcoal, resin and plaster. Mother-of-pearl and abalone shell inlay made by taller Orígenes.

51.18 x 33.46 x 2.36 in each (diptych)

2025

Cristóbal Gracia

El tenebroso espacio es una caja de joyería desbordada

Digital print on Hahnemühle Photo Rag 308gr

25.98 x 39.37 in

2025

Cristóbal Gracia

Para crear una pelusa de polvo se necesitan millones de partículas enredadas en fibras más largas, que a su vez, se enroscan y atraen a otras gracias a su carga eléctrica, las pelusas suelen contener ácaros y otros parásitos...

Heliography and drypoint engraving

23.62 x 17.72 in each (polyptich of 4)

2025

Cristóbal Gracia

Perla barroca cultivada, “La Adán” / Baroque cultured pearl, “the Adam”

Brass, iron, plaster and mixed media

73.22 x 25.59 x 23.62 in

2025