Cristóbal Gracia
Mexico City, 1987
Bio

Cristóbal Gracia reshapes historical milestones and social and cultural phenomena through the investigation, connection and reconstruction of official chronicles, microhistories and urban myths. Using tools such as humor, fiction, violence, desire and failure, his work aims to build baroque systems of disbelief in order to create the space and means of production needed for culturing different subjectivities.

In his process of work Gracia involves diverse creative agents, every participation, collaboration and context of production gives a unique specificity to each project. He tends to search for the tensions that art can create when working with dichotomies and contradictions belonging to different fields of knowledge, in this dialectical process lies the opportunity to reshape and interpret life under another light.

Lives and works between New York and Mexico City.

In his process of work Gracia involves different creative agents, every participation and collaboration is essential not only in the material fabrication of his artworks but also in conceptual decisions that give each project a unique specificity.

Gracia tends to search for the tensions that art can create when working with dichotomies and contradictions belonging to different fields of knowledge, here lies the opportunity of contemplating life in a different light.

Gracia holds a BFA from the E.N.P.E.G Esmeralda, where he graduated Magna Cum Laude and later he attended to the Programa Educativo SOMA, both in Mexico City. He holds an MFA in Sculpture by the Yale School of Art, class of 2020 - 2022. Gracia was a former member (2011-2020) of Biquini Wax EPS, an artist run space and platform for production, discussion, and exhibition of art located in Mexico City. He has been awarded with grants such as the BBVA-MACG Arte Actual and Jóvenes Creadores FONCA in the field of alternative media.

His work has been shown in Mexico, the United States, England, Italy, Germany, Colombia, Ecuador, Argentina, India, The Philippines and New Zealand, in venues such as: Museo Universitario del Chopo, Museo de Arte Carrillo Gil, Museo Tamayo, Casa del Lago, Human Resources, The BOX gallery L.A, the Biennial of the Americas, Palais de Tokyo, Blain/Southern, the Hamburger Bahnhof Museum, La Ene, the M100 Matucana and in Clark House Initiative among many others. He has been a resident artist in Bikini Art Residency, Lago di Como; Viafarini, Milan; Biennial of the Americas, Denver; Galveston Artist Residency, Galveston; Grand Union, Birmingham; Casa Wabi, Puerto Escondido; Casa Nano, Tokyo; The Art House, Wakefield and Lugar Común, Monterrey. In recent years it has been included in public and private collections such as JK Brown and Eric Diefenbach Collection, Colección Fundación M, Murderme Collection, and Phillips/Yuyito.

His work has been published in CULTURED, Artforum, Código, Caín, Art Review, Excelsior, Frente, Westword, Denver Post, Palais Magazine, Terremoto, Utopía, Letras Libres, Gas TV, La Tempestad just to mention a few.

Selection of Works
Cristóbal Gracia
Fragment of a Baroque Totality and Digestive System
Copper, plasticine and solder
66.9 x 31.4 x 31.4 inches
2022
Cristóbal Gracia
Fragment of a Baroque Totality and Digestive System
Copper, plasticine and solder
43.31 x 27.56 x 23.62 inches
2022
Cristóbal Gracia
Building space
Digital collage, intervened lithography on paper and copper plates
76.77 x 79.72 inches
2022
Cristóbal Gracia
Possible uses of excess, overproduction (and waste)
Emboss and excessive engraving on cotton paper
79.92 x 84.44 inches
2022
Cristóbal Gracia
Fragment of a baroque totality 257620
Copper pipes, copper fittings and connections, solder wire, solder paste, plaster, plasticine, polystyrene, Caproni Grotesque Tile 1 - Item #632 (+,-) fragmented, Caproni Grotesque Tile 2 - Item #633 (+,-) fragmented, Caproni Grotesque Tile 3 - Item #634 (+,-) fragmented, ANT.257620 (+,-) figure of fake mesoamerican figurine from the Albers collection of Pre - Columbian art fragmented, ANT.257629 (+,-) figure of fake mesoamerican figurine from the Albers collection of Pre-Columbian art fragmented, ANT.257631 (+,-) figure of fake mesoamerican figurine from the Albers collection of Pre-Columbian art fragmented
Variable dimensions
2022
Cristóbal Gracia
Possible uses of excess and overproduction
Copper engraving plates with ink leftovers, engraving prints on cotton paper, copper nails, drywall
2022
Cristóbal Gracia
Ghillie. La obra es su misma predecesora, por lo tanto la anterior ya no es anterior sino presente
Ceramics
Variable dimensions
2021
Cristóbal Gracia
Producción de flujos de deseo a presión
Lithography, print, emboss, copper plate, felt, elongated pennies and walnut
81.1 x 61.42 x 2.36 inches
2021
Cristóbal Gracia
Maquinaria de producción de flujos reales a presión
Copper pipe, molded copper flowers and ginger roots, and pressed penny die ring
35.43 x 35.43 x 62.99 inches
2021
Cristóbal Gracia
Después de haber permanecido algún tiempo en la entrada, surgieron en mí dos emociones contrarias, el miedo y el deseo, el miedo a la oscura grotta amenazadora, el deseo de ver si había algo maravilloso dentro de ella.
Concrete, resin, pigments, watercolor, polyurethane foam and steel
84.65 x 20.08 x 26.77 inches
2020
Cristóbal Gracia
MABOYA Fig. 1
Silkscreen print, enamel, ashes, smoke, water, and dirt on linen
78.7 x 37.4 inches
2020
Cristóbal Gracia
MABOYA Fig. 215
Silkscreen print, enamel, ashes, smoke, water, and dirt on linen
78.7 x 43.3 inches
2020
Cristóbal Gracia
Villa Rossa
Inkjet Print on Cotton Paper
55 x 43 inches
2020
Cristóbal Gracia
Evidenza I
Inkjet Print on Cotton Paper
19½ x 13 cm
2020
Cristóbal Gracia
Lucciola I
Concrete and Glass
66½ x 17 x 17 inches
2020
Cristóbal Gracia
Lollo
Concrete, Oil Painting, Brass, and Garden Statues
90½ x 25 x 25 inches
2020
Cristóbal Gracia
La sangre se limpia con sangre
Valentina Sauce on Canvas
31½ x 23½ inches
2020
Cristóbal Gracia
G.e.a.
Print on Silk Fabric
65¼ x 13¾ inches
2020
Cristóbal Gracia
Camillo
Cement and Garden Sculptures
19½ x 15¾ inches
2020
Cristóbal Gracia
Putto de grotta
Lithography, screen printing and print on 320gr Canson paper
39.37 x 25.59 inches
2020
Cristóbal Gracia
Un estanque de lavado de dinero, que también es una pintura pero no es una pintura de un estanque
Valentina Sauce, Whitened Stones, Polyurethane Foam, Sand, Gravel, Glitter, Enamel, Rubber, Wood, Glue, Air Pumps and Coins
Variable Dimensions
2019
Cristóbal Gracia
Sa La Na, A Yuum, iasis _ Laissez Faire – Laissez Passer by Biquini Wax EPS
Mixed Media
Variable Dimensions
2019
Cristóbal Gracia
Caronte
Fiberglass Acapulco Fishing Boat (useless) Cut and Reassembled, Coconuts, Cardboard, LEDs, Spray Paint, Airbrush, Touristic Towels,and Pool Noodles
Variable Dimensions
2019
Cristóbal Gracia
Vitrina III; V-gang –Piltdown Man
Mahogany, Paste, Automotive Paint, Brass, Objects bought from Internet
11 x 7 x 2 feet
2018
Cristóbal Gracia
Vitrina IV; azul IKB-sampuru
Mahogany, Paste, Automotive Paint, Brass, Resin, IKB Pigment
11 x 7 x 2 feet
2018
Cristóbal Gracia
Vitrina II; lámpara de vapor de sodio y aberración cromática
Digital print on cotton paper, wood, glass
51 x 75 inches
2018
Cristóbal Gracia
La isla de las perlas, o cuando las perlas se convirtieron en flores (amapolas) al atardecer
Metal Stretcher, Steel Sheet, Airbrushpaint on “Acapulco” Venetian Tile and Bright Security Tape
64 x 48 inches
2018
Cristóbal Gracia
Denominación de origen
Recipe for "Coco Loco" from Hotel Flamingos, Acapulco
Variable Dimensions
2018
Cristóbal Gracia
AQUATANIA: Y vimos en el agua toda suerte de extraños y asombrosos peces, ansí como numerosísimas y hermosas serpientes que ellos llaman lagartos. Llevaba conmigo un mancebo que saltó...; acabó devorado por un lagarto y todos nosotros lo vimos.
C-print, Kodak-kioskprint, Bright Adhesive Tape, Permanent Marker, Ink, Acrylic, and Collage
47 x 33 inches
2018
Cristóbal Gracia
Emociones salvajes
Wooden Panel and Airbrush on Acapulco Tile
10 x 6.5 feet
2017
Cristóbal Gracia
Where's the Beef?
Acrylic cut Sign illuminated with LEDs
3 x 20 x 0.5 feet
2017
Cristóbal Gracia
Law Is a Bottomless Pit; or, the other story of John Bull I
Charcoal on Paper
82½ x 106 inches
2017
Cristóbal Gracia
Paisaje de Aquatania I
Acrylic, marker,and silkscreen on canvas
79 x 59 inches
2016
Cristóbal Gracia
Una tumba no asegura una suite en el infierno y otras manifestaciones del poder después de la muerte
Mixed Media
8 x 3 x 7 feet
2016
Cristóbal Gracia
Suite Tarzán
Digital Print on Cotton Paper
40½ x 60 inches
2016
Cristóbal Gracia
Los tentáculos del poder
Ink on Cotton Paper
35 x 49 inches
2016
Cristóbal Gracia
Aquatania part I; A man should stand where God places him –jungle trails or Hollywood streets –and fight for those things in which he believes
Full HD Video Still
2016
Cristóbal Gracia
Retrato de Monumento
Metal, Acrylic, Wood, Concrete, Styrofoam, Silicone, Spray Paint, Marker, Collage, Plastic, Confetti, Glass, Balloons, Duct Tape, Fire, Acrylic Paint, Cardboard and Chromed Steel
14 x 5 x 5 feet
2013
Cristóbal Gracia
Batiente 0.14; el síndrome del miembro fantasma
Digital Print on Satin
4'2" x 8 inches
2013
Exhibitions at Pequod
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