Andrew Roberts at the 36th Bienal de São Paulo: "Not All Travellers Walk Roads – Of Humanity as Practice", curated by Bonaventure Soh Bejeng Ndikung

Andrew Roberts in "Rooms", Curated by Sacha Craddock, Plataforma, Guadalajara

"Malte Zenses “Durchhalten galore! Pinturas para perros.” at Sperling, Munich in collaboration with Pequod Co. (CDMX) as part of Various Others Munich", a review of Misal Adnan Yıldız in Mousse Magazine

"Andrew Roberts, el joven artista mexicano que quiere 'hackear' la cultura capitalista", a review of Carlos S. Maldonado in El País

Ana Navas at the Liverpool Biennial: "BEDROCK", curated by Marie-Anne McQuay

Leo Marz "In the Shadows, Our Ghosts Lurk", curated by Fabiola Iza, Contemporary at Blue Star, San Antonio

Paloma Contreras Lomas at the Biennale für Freiburg 3: "HAPPY PLACE", artistic direction of Lorena Juan

Cristóbal Gracia "Cultured Baroque Pearls; The World Is an Oyster, which with Knife Will Open" a review of Claudia Arozqueta in Artforum

Renata Petersen: Hammer Projects: "The Secret Gospel Church of Phallic Worship", curated by Aram Moshayedi, Hammer Museum, Los Angeles

Renata Petersen in "atrás del ártico se esconde un paraíso", curated by Maya Renée Escárcega, Museo de arte de Zapopan (MAZ)

Pequod Co. and Sperling: "Durchhalten galore! Pinturas para perros", Various Others, Munich. A Two-Part Exhibition by Malte Zenses With a Guest Project by Andrew Roberts

Andrew Roberts: "Spectral Corpse", curated by Jaime González Solís, MUAC, Mexico City

Carolina Fusilier & Paloma Contreras Lomas "How is Death Written in the South?" a review by Gaby Cepeda in ArtReview

Paloma Contreras Lomas: "LA ANTESALA", Estación MAZ, Zapopan

Cristóbal Gracia participates in "Art & Nature: Inside Out", curated by Diana Segantini at Villa Arconati, Milan

Leo Marz in "LABORATORIO MEDITERRANEO" artist in residency program organized by the Fondazione MACC in Calasetta, Italy

Joaquín Segura in “Transitive Properties”, a curatorial research project developed by Sylvie Fortin in Buenos Aires, Argentina

A conversation with Roselin Rodríguez & Cristóbal Gracia: "Cultured Baroque Pearls; The World Is an Oyster, which with Knife Will Open"

Elsa-Louise Manceaux is part of “Arte contemporáneo en el Carrillo Gil. Memoria de las exposiciones 1974 - 2024”, a retrospective exhibit at the Museo Carrillo Gil, Mexico City

"Dust of Late Capitalism and Final Judgment Jewelry: Cristóbal Gracia at Pequod Co.", a review by M.S. Yániz in Onda MX

Paloma Contreras Lomas in “The Horizon is Always Receding”, curated by Lorenza Herrasti, Ana Sampietro and Lena Solà Nogué, Museo Tamayo, México City

Leo Marz in "30 años en el mundo del arte. Una revisión de la Bienal Femsa", curated by Daniel Garza Usabiaga, CONARTE, Monterrey

Andrew Roberts in “De frente a lo que se oculta” a book that reviews the production processes of 32 artists based in Mexico

Cristobal Gracia: “Paladio / Palladium”, Human Resources, L.A.

Yolanda Ceballos in Casa Nano's residency program, Sendagi, Tokyo

Renata Petersen en "MASA & LUHRING AUGUSTINE VOL. 2", Mexico City

Paloma Contreras and Carolina Fusilier in "¿Cómo se escribe muerte al sur?", curated by Karla Niño de Rivera Torres, Museo Anahuacalli, Mexico City

Renata Petersen in the second edition of "OTR^S MUND^S", curated by Aram Moshayedi, Museo Tamayo, Mexico City

Paloma Contreras on ISCP's Open Studios program

Ana Navas participating in the 13th edition of The Liverpool Biennial, titled “BEDROCK”, curated by Marie-Anne McQuay