Paloma Contreras Lomas in "Louder, Taller, Uglier, Weirder – Learning from Weeds / Von Unkraut lernen", curaduría de Anaïs Senli, Lorena Juan, Sonia Fernández Pan & Sylvia Sadzinski, Kunstraum Kreuzberg, Berlin

Paloma Contreras Lomas in "Corteza seca", curated by José Esparza Chong Cuy, Parque Fundidora, Monterrey

Andrew Roberts in "Otherwise", curated by Cynthia Nathan, ICA Maine

Andrew Roberts Artists in Residency at Fountainhead Arts, Miami, USA

Javier Barrios in "Cosmic Strips", Ilenia, Londres

Leo Marz in "Atmósfera total", curated by David Miranda, Museo Experimental el Eco, Mexico City

Elsa-Louise Manceaux: "Notas de voz", curated by Marielsa Castro Vizcarra, Museo Jumex, Ciudad de México

Andrew Roberts: "Haunted" curated by Ben Tollefson, SCAD, Savannah, USA

Leo Marz joins the collection of the Fondazione MACC

Andrew Roberts at the 36th Bienal de São Paulo: "Not All Travellers Walk Roads – Of Humanity as Practice", curated by Bonaventure Soh Bejeng Ndikung

Cristóbal Gracia in "What We Hold On To", Black Cube Headquarters, Colorado

Renata Petersen joins the collection of the Museo de Arte Carrillo Gil

"Necromancia en tiempo real" in conversation wiht Andrew Roberts at Plataforma, Guadalajara

Leo Marz in "(Im)Posibilidades: Performances Art for Video", curated by PROArtes & Adam Forrester, Ogden Contemporary Arts, Utah

Andrew Roberts in "Rooms", Curated by Sacha Craddock, Plataforma, Guadalajara

"Malte Zenses “Durchhalten galore! Pinturas para perros.” at Sperling, Munich in collaboration with Pequod Co. (CDMX) as part of Various Others Munich", a review of Misal Adnan Yıldız in Mousse Magazine

"Andrew Roberts, el joven artista mexicano que quiere 'hackear' la cultura capitalista", a review of Carlos S. Maldonado in El País

Ana Navas at the Liverpool Biennial: "BEDROCK", curated by Marie-Anne McQuay

Leo Marz "In the Shadows, Our Ghosts Lurk", curated by Fabiola Iza, Contemporary at Blue Star, San Antonio

Paloma Contreras Lomas at the Biennale für Freiburg 3: "HAPPY PLACE", artistic direction of Lorena Juan

Cristóbal Gracia "Cultured Baroque Pearls; The World Is an Oyster, which with Knife Will Open" a review of Claudia Arozqueta in Artforum

Renata Petersen: Hammer Projects: "The Secret Gospel Church of Phallic Worship", curated by Aram Moshayedi, Hammer Museum, Los Angeles

Renata Petersen in "atrás del ártico se esconde un paraíso", curated by Maya Renée Escárcega, Museo de arte de Zapopan (MAZ)

Pequod Co. and Sperling: "Durchhalten galore! Pinturas para perros", Various Others, Munich. A Two-Part Exhibition by Malte Zenses With a Guest Project by Andrew Roberts

Andrew Roberts: "Spectral Corpse", curated by Jaime González Solís, MUAC, Mexico City

Carolina Fusilier & Paloma Contreras Lomas "How is Death Written in the South?" a review by Gaby Cepeda in ArtReview

Paloma Contreras Lomas: "LA ANTESALA", Estación MAZ, Zapopan

Cristóbal Gracia participates in "Art & Nature: Inside Out", curated by Diana Segantini at Villa Arconati, Milan

Leo Marz in "LABORATORIO MEDITERRANEO" artist in residency program organized by the Fondazione MACC in Calasetta, Italy

Joaquín Segura in “Transitive Properties”, a curatorial research project developed by Sylvie Fortin in Buenos Aires, Argentina